Posts Tagged 'South America'

Mirror Mirror

Mirror-like pose of two dancers during a fiesta in San Pedro, La Paz province, Bolivia. Canon 5D Mark II camera and Canon 70-200mm f2.8L IS USM lens. Exposure Details: 1/1000 seconds @ f3.5 ISO 400.

Here’s another dancer portrait from the San Pedro fiesta in Bolivia I attended in April this year. I think the colours and light in this shot are great. You can see a lot of beautiful diffuse light being reflected into the face of the main subject from the shiny dress of the dancer in the foreground. The sequins in the dress have also reflected several points of intense light on the main subject’s face which creates a kind of intrigue for me. With all this reflection going on I thought it was also interesting that the dress and pose of the two women create the illusion that you are looking into a reflected image of the woman in the foreground looking into a mirror. The expression on the main subject’s face adds a kind of drama/intensity which works well for me too.

Hope you are enjoying this month’s Bolivian Fiesta theme.

More to come soon.

Fiesta en Bolivia

A dancing Bolivian abuela twirls her matraca, a musical instrument used during fiestas. Canon 5D Mark II camera and Canon 24-105mm f4L IS USM lens. Exposure Details: 1/8 seconds @ f4 ISO 800. Flash fired.

As mentioned in my previous post, this month I’m featuring a great collection of photographs I took during three fiestas in Bolivia earlier this year.

I took this photo in the main square of a town called Sorata in the province of La Paz in the Andes of Bolivia’s west. It was the first night of festivities kicking off a three day fiesta that also included a small village called San Pedro about an hour’s drive away.

I like the way this image captures the movement of the dancers but at the same time freezes the action up front and centre. The expression on this dancer’s face makes her appear to be dreaming, adding an extra surreal quality to that already created by the interaction of movement and frozen action in the image. This is especially true right around the bowler hat and face of the dancer, right where your eye is naturally drawn too.

More to come soon.

Hasta la proxima, Cam.

Bolivian Character

Diptych of Bolivian musician during a fiesta in San Pedro. Photographs taken on a Canon 5D Mark II camera and Sigma 50mm f1.4 EX DG HSM lens. Exposure Details: Left - 1/125 second @ f2.5 ISO 6400. Right: 1/160 second @ f2.8 ISO 5000.

In late April this year I was travelling through western Bolivia on my way to Peru. After seeing a photo in a coffee table photo-book I made an impulse detour to visit a place called Sorata. The photograph showed a town clinging to a mountainside above an apparently bottomless valley. Above rose fully cultivated hillsides of impossible incline and glacier capped mountains. The vertical scale in the photograph reminded me of Nepal and after months of summer in Brazil I was ready for some more temperate mountain air.

I arrived just as the town became engulfed in fiesta. For the next three days I was swept away in an endless deafening parade of marching brass bands, elaboarte costume dances and free flowing beer and chicha (a maize-based drink). There were many great moments and despite my generally inebriated state I managed to capture a nice collection of images from the festivities. I’ll be sharing them over the course of the next month beginning today with this Diptych of a trumpet player I hung out with for some beers during a break in the marching.

More to come soon =D

And don’t forget you can click on the image to see it in an enlargened size.

Happy Halloween / Feliz día de los Muertos

Cam.

Tránsito en Paraguay

A quantych presenting four photographs taken in and from a public bus in Paraguay on 13/04/2011. All photographs taken on a Canon 5D Mark II camera and Sigma 50mm f1.4 EX DG HSM lens. Exposure Details: Top Left - 1/320 second @ f7.1 ISO 400. Top Right: 1/500 second @ f2.8 ISO 800. Bottom Left: 1/640 second @ f7.1 ISO 400. Bottom Right: 1/800 second @ f3.5 ISO 400.

On the 13/04/2011 I was travelling back to Asunción on a public bus after camping out at a waterfall called Salto Cristal in the Paraguayan countryside. It was a slow paced journey back to the capital as our driver drifted in and out of dusty farm towns along the highway. The forecast tropical thunderstorm somehow held off meaning we travelled for 4-5 sweaty hours in the muggy pre-deluge humidity.

Despite having already spent some 9 months of my life in South America at this point -in four different countries- I somehow got the impression that Paraguay was the quintessential Latin American country. The pace of life was so slow, the people so unassuming. Apart from our bus, traffic rarely stirred too much dust on the roadways and human body language was everywhere so languid. Even as a fluent Spanish speaker I strained to decipher my co-passengers’ conversations, they seemed to slip between Spanish into Guaraní and often made a curious mix of the two. Encouraged by an old lady I bought snacks of chipas and dipped them into cocido, a sweetened style mate made with burnt sugar and milk. All of these are of course Paraguayan oddities, though seemed so much more authentic than (empanadas aside) the packaged sugary snacks sold on buses in other South American countries.

Later in downtown Asunción I couldn’t help but feel I was still in a rural zone, everything was so humble I felt like I had drifted from the main current and settled in a kind of economic eddy at the middle of the continent. Most people I told I was visiting Paraguay always seemed to appear confused. ‘Why?’ They’d all asked me. ‘What is there to see there?’ I’d just shrug.

Interestingly, I learned that in fact Paraguay once used to be the mightiest of all South American nations. Paraguay was the first to claim independence from Spain, boasted considerable wealth, industry and weapons manufacture facilities. What happened though was the 19th century Guerra de la Triple Alianza (War of the Triple Alliance). For reasons disputed it seemed the whole world was at war with Paraguay and whilst performing mightily on the battlefield, they could not claim victory over the combined efforts of Brazil, Uruguay, Argentina and allegedly the backing of all three by Great Britain. Paraguay lost a third of it’s territory and up to 90% of it’s entire pre-war population of 500,000. In short they were utterly smashed and driven into the obscurity in which they still reside.

Looking back at my photos from Paraguay I feel I actually captured very little. Today’s post is a bit of an experiment utilising four photographs I took that afternoon on the bus in a doco-style-distant-observer mood and using my fixed length 50mm lens. When reviewing the images I liked each but on their own they were a bit without context and placing them together made their common thread obvious. At first I was going to do a diptych with the above two images but decided to try something new when I realised I had four nicely themed images that worked in a roughly square-ish aspect ratio (all these images are cropped from original 2:3 RAW format files). I suppose this presentation of the four photographs would be called a ‘quantych’, though correct me if I’m wrong as I can’t seem to find any photographic naming conventions that go beyond triptych (three images presented together).

Wow, you’ve managed to read this to the end! I’d be quite stoked if you now let me know what you think of this post in the comments section below! Believe me, it puts sunshine into my cloudy days. As does people clicking that little ‘like’ button on my Cam Cope Photography Facebook page.

Thanks for reading,

Cam.

Alone with a giant: Iguazu Falls

A spray-soaked tourist in a plastic rain poncho gawks at the might even of one of Iguazu's lesser falls, Brazil. 5D Mark II camera and Canon 24-105mm f4L IS USM lens. Exposure Details: 1/1250 seconds @ f7.1 ISO 320.

It’s hard to sum up Iguazu Falls in words or pictures though I’m sure the 200,000 visitors that pour through the ticket gates every year do their best in a million different formats. For those who don’t know, Iguazu Falls is a gargantuan waterfall complex where actually 275 discrete falls plunge the entire Iguazu river 84 metres off a plateau of hard volcanic rock. The falls are the widest on earth, have the 2nd highest average flow in the world (behind Niagara) and divide the three nations of Brazil, Argentina and Paraguay.

My experience there was typical, I flew in from Rio de Janeiro (on my way to Paraguay), landed on the Brazilian side of the border and initially got a little unsettled gawking from my bus window at just how close the airport was to the National Park and the number of conspicuous hotels built in and around it. Though unsettled I was not surprised and knew if I was going to check out this epic watercourse I would have to embrace my inner tourist and go with the flow.

Once there you have two options of viewing the falls, the Brazilian side or the Argentinian. Many people will tell you (and not just the locals for whom it is an object of national pride) not to bother with the Brazilian side as the Argentinian is a far superior viewing experience. I’d agree there is far more to see from the Argentinian side but would recommend also visiting the Brazilian side, though with the caveat that you visit this side first so that then visiting the Argentinian side only ramps up the awesomeness. The reverse I can see may be a let down.

Inevitably I was herded around like a head of cattle and parted with cash all too easily like in any world renowned tourist trap (click here for more on those), though at Iguazu I felt there was at least enough space to find some quiet moments by myself to appreciate the awesomeness of the place. And it was awesome. An endless array of mega-thundering towers of water plunge into an impenetrable foamy white abyss and blast you with a refreshing spray as untold trillions of tiny droplets wind around you glinting in the hot tropical sun. The entire national park seems to be set in a water world bursting at the seams, the forest barely managing to cling to the rock and survive the tide that flows in every possible way under, over and around it.

As usual however, my photographic inspiration followed an inverse function of the number of fellow tourists crowding into the same space and pointing their cameras over every guard rail at every occasion. The experience is something like kryptonite to photographers I think, the higher the concentration of squinting faces on LCD screens at arm’s length, the more intense the cringe. But I’ve long since learned you can’t fight it and even helped quite a few people out with their group shots and latest Facebook profile pics.

The shot above stood out to me because it portrayed the sense I had of the tourism development’s intrusion on the place despite the fact that it did very little to reduce the sense of power the Falls give in person. It was not one of the bigger falls or the most impressive places I visited, but reminded me of the quieter moments I had there. Amongst the ebb and flow of tourists clanging along the metallic walkways, one person can suddenly find themself alone with a giant, and the experience is worth it.

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Cheers guys and thanks for reading =D

Cam.

Night soccer on Ipanema beach

Night soccer on Ipanema beach, Rio de Janeiro, Brazil. Canon 5D Mark II camera and Canon 70-200mm f2.8L IS USM lens. Exposure Details: 1/200 seconds @ f2.8 ISO 4000.

Here’s another gritty urban night soccer scene coming to you from Rio de Janeiro, Brazil, though this time from the adjacent Ipanema beach rather than Copacabana. I love the action in this shot, these guys were just having a kick around, nothing organised, but they went all out to every contest, was awesome to watch.

Scenes like this were all over Brazil and I’d love to go back and do more work of this nature. I also love the way the iconic peak of Pedra de Gavea frames the shot as do the city lights of Favela da Rocinha (South America’s largest shanty town/slum according to some) that climb impossibly up the side of the mountain. Everything about this shot just screams Rio and Brazil.

Help!! I’m stuck in a Tourist Trap!

Steaphan Paton stuck in a classic tourist trap, Christ the Redeemer, Rio de Janeiro. Canon 5D Mark II camera and Canon 24-105mm f4L IS USM lens. Exposure Details: 1/200 seconds @ f4 ISO 200.

Ever felt like a sweaty head of cattle herded into an overcrowded corral full of stressed, thirsty animals with no way out and little to do but consume the feed provided and take out your frustration on other unfortunate beasts in the same predicament?

If you answered yes then likely you too have fallen straight into a classic tourist trap. The parallels are undeniable, once you pass through the entry gate you are herded down a chute directing you to consume the food, drink, souvenirs and indeed the attraction itself in a predefined way.

I recently fell into a particularly massively huge tourist trap by the name of Cristo Redentor (Christ the Redeemer) in Rio de Janeiro, Brazil. So huge is this trap that it has recently been named one of the ‘new seven wonders of the world’. From the moment you start queueing for a ticket up the mountain you might as well start referring to yourself as ‘criação’ (livestock in Portuguese). You shuffle from queue to queue, paying intermittently at seemingly pointless check points and wind your way through cheesy souvenir shops and overpriced cafes until you arrive at a freaking escalator that takes you to the top, or rather the foot of the 39.6m/130ft tall art deco statue version of the very late Jesus Christ.

Of course the view on top is absolutely spectacular, worth all the inconvenience and pain endured. Though is the experience pleasant? Not really. I took this shot of my friend Steaphan Paton (an awesome Australian indigenous artist, check him out on tumblr) who’s suitably irritated expression sums up the experience beautifully. He stands burning in the shadeless platform as tourists stumble into each other’s photos all around him and a joyflight helicopter buzzes by in the background adding to the disquiet chaos. If you’re in Rio you have to go, but don’t expect the peace and tranquility that the big JC has upstairs, you’d need to be up at his level to attain it.

Night soccer on Copacabana beach

Night soccer on Copacabana beach, Rio de Janeiro, Brazil. Canon 5D Mark II camera and Canon 70-200mm f2.8L IS USM lens. Exposure Details: 1/320 seconds @ f2.8 ISO 4000.

Quite possibly one of my favourite things about Rio de Janeiro is the awesome beach culture. From dawn till dusk the beaches are positively alive with action. Hawkers roam, beach bars abound, volleyball and soccer nuts send sand flying while swimmers, runners, bladers, boarders and surfers all also find their space.

Am I forgetting anything? Oh yes, ridiculously bootylicious babes are absolutely everywhere, and for the ladies a sculpted odonnis struts on every spare patch of beach. The vibe was like Sydney on steroids. But the action doesn’t stop when night falls, they just switch the lights on and a new crowd takes over the beach for nightly organised soccer and volleyball matches. The temperature is balmy and a beautiful sea breeze mingles with the frenetic street band music.

Though it is low light, photo opportunities still abound, just open up the aperture, crank the ISO and smash some action shots that turn nicely into gritty urban night sport scenes, case in point? See above.

Mark of excellence award received

Local carioca boy (local from Rio de Janeiro) cruises past the bat and ball nets on Copacabana beach. Canon 5D Mark II camera and Canon 70-200mm f2.8L IS USM lens. Exposure Details: 1/800 seconds @ f3.2 ISO 1250.

Occassionally I make a few forays into the shady world of online photography competitions. Often they appear to be thinly veiled money making schemes or fronts by companies to cheaply acquire imagery for marketing purposes. However, would I complain if I were to win a few thousand dollars in cash as a result of entering? …mmmm, no. This competition seems to run on a decent model where the money paid by entrants jackpots the prize, kind of like how the amount you win at poker depends on how much money is lost on the table by the other players. Here I lost my $10 entry fee, but I did receive this mark of excellence award. Was it worth it? Was I duped into parting with my money as a result of a wildly inflated self belief in my photography? You be the judge.

Salvador Beach Boys

Local boy battles his way out of the fierce shorebreak in Porto da Barra, Salvador, Bahia, Brazil. Canon 5D Mark II camera and Sigma 50mm f1.4 EX DG HSM lens. Exposure Details: 1/1250 second @ f3.5 ISO 100.


Hey guys here’s another post coming to you from Bahia in Northern Brazil. I took this photo down on the beach at Porto de Barra in Salvador. It is a seriously hectic urban beach on a Sunday, packed with families kicking back drinking beer, eating moqueca, listening to music through old school ghetto blasters and playing soccer. Meanwhile the kids hurl themselves fearlessly into an epic shorebreak (big waves that dump only on the shoreline) that rolls through in sets every few minutes.

Getting the camera out here was at first a bit intimidating because it was such a different scene from anything else I’d been around in South America. I honestly felt like I was in Africa there were so few Europeans on the beach! Also not being a Portuguese speaker I felt a little less secure about myself than in Spanish speaking countries where I can speak to people freely. But after a few minutes I recalled my own saying that I never brought my camera to keep it hidden away in security lockers. In anycase as usual people were super friendly and as it also often does, having my camera out turned out to be a great way to meet people and interact with these kids.

Don’t forget to check out my photography on Facebook, and stay tuned for more coming soon from way down in Rio de Janeiro =D

Cam.

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